Theatre History Studies 2020, Vol. 39
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference
THEATRE HISTORY STUDIES, VOLUME 38
PART I: Studies in Theatre History
MATTHIEU CHAPMAN
Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World
MICHAEL CHEMERS AND MICHAEL SELL
Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy
JEFFREY ULLOM
The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House
CHRYSTYNA DAIL
When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
MICHAEL DENNIS
The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment
Part II: HEMISPHERIC HISTORIOGRAPHIES
EMILY SAHAKIAN, CHRISTIANA MOLLDREM HARKULICH, AND LISA JACKSON-SCHEBETTA
Introduction to the Special Section
PATRICIA YBARRA
Gestures toward a Hemispheric Theatre History: A Work in Progress
ERIC MAYER- GARCÍA
Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba
ANA OLIVAREZ-LEVINSON AND ERIC MAYER-GARCÍA
Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection
JESSICA N. PABÓN-COLÓN
Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria
LEO CABRANES-GRANT
Performance, Cognition, and the Quest for an Affective Historiography
Part III: Essays from the Conference
The Robert A. Schanke Award-Winning Essay, from the 2019 Mid-America Theatre Conference
JULIE BURRELL
Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’
The Robert A. Schanke Honorable Mention Essay, MATC 2019
MATTHEW MCMAHAN
Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat